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The first opera was a French version of the then-unperformed Poliuto which, in April , was revised to become Les martyrs. Shortly thereafter, he wrote to Antonio Vasselli outlining his plans for that year, concluding with the somewhat ominous: Donizetti returned once more to Milan where he stayed with the accommodating Giuseppina Appiano Stringeli with whom he had a pleasant time. Along with Gioachino Rossini and Vincenzo Bellini , Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century. However, by early February, he is already writing via an intermediary to Vincenzo Flauto, then the impresario at the San Carlo in Naples, in an attempt to break his agreement to compose for that house in July. Le convenienze ed inconvenienze teatrali April and Ugo, conte di Parigi March

Donizetti returned from Paris to oversee the staging of Lucia di Lammermoor on 26 September He was settled comfortably in a large chair, speaking very rarely or only in occasional monosyllables, and mostly remaining detached from everyone around him. In Bologna, he would justify the faith which Mayr had placed in him. In summary, it stated that the doctors believe that M. The accompanying party of four consisted of Andrea, the composer's younger brother Francesco who had come specially from Bergamo for this purpose, Dr.

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Ricord on his uncle's condition. Donizetti was born in Bergamo in Lombardy. Unanimous, sincere, universal was the applause he justly collected from the capacity audience Donizetti, a prolific composer, is best known for his operatic works, but he also wrote music in a number of other forms, including some church music, a number of string quartets , and some orchestral pieces. An offer in from Domenico Barbaja , the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January Retrieved January 9,

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Firstly, he met and began to work with the librettist Domenico Gilardoni who wrote eleven librettos for him, beginning with Otto mesi in due ore in and continuing until The critical reaction in the Giornali some months later focused on the weaknesses of the semiseria genre itself, although it did describe Donizetti's music for Emilia as pretty. For other uses, see Donizetti disambiguation. The first opera was a French version of the then-unperformed Poliuto which, in April , was revised to become Les martyrs. Prelude to Lucia di Lammermoor.

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However, as Donizetti scholar William Ashbrook notes, in he was threatened with having to leave because his voice was changing. Further details of specific dates from Weinstock, pp. Donizetti had made a promise to Giacomo Pedroni of the publishing house Casa Ricordi to oversee the production of the opera, which was given on 30 May with Donizetti conducting.

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After these minor compositions under the commission of Paolo Zancla, Donizetti retreated to Bergamo once again to examine how he could make his career move along. He remained there for nine years, until Author John Stewart Allitt describes his initial exercises in operatic style, [15] the opera Il pigmalione , as well as his composition of portions of Olympiade and L'ira d'Achille in , as two being no more than suggest[ing] the work of a student. When it did appear, it was not very successful. While taking care of some of his obligations to the Viennese court, for the remainder of the month he awaited news on the outcome of the 12 January premiere of Caterina Cornaro in Naples.

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He had intended to leave by about 22nd, but Gaetano's bout of illness delayed his departure, and the brothers traveled together to Bergamo on about 12 or 13 July proceeding slowly but arriving around 21st. In October and for the remainder of the year, he was back in Rome where time was spent adding five new pieces to Zoraida which was performed at the Teatro Argentina on 7 January As the s progressed, Donizetti moved regularly between Naples, Rome, Paris, and Vienna continuing to compose and stage his own operas as well as those of other composers. The accompanying party of four consisted of Andrea, the composer's younger brother Francesco who had come specially from Bergamo for this purpose, Dr. As Ashbrook states, this was nothing less than Mayr's argument that Donizetti be allowed to continue his musical studies. Donizetti's close association with the bel canto style was undoubtedly an influence on other composers such as Giuseppe Verdi.

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Donizetti was born in Bergamo in Lombardy. Performances were staged up and down the Italian peninsula between and and then throughout Europe's capitals well into the s, with revivals being presented up to about Without a commission from any opera house, Donizetti decided to write the music first and then try to find a company to accept it. The opera was based on The Bride of Lammermoor , the novel by Sir Walter Scott , [41] and it was to become his most famous opera, one of the high points of the bel canto tradition, the opera reaching a stature similar to that achieved by Bellini 's Norma.

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His family was very poor and had no tradition of music, his father Andrea being the caretaker of the town pawnshop. However, it suffered by comparison to Bellini's I puritani which appeared at the same time. Domenico Gaetano Maria Donizetti Italian: After three hours they arrived at the Maison Esquirol in Ivry-sur-Seine, a suburb of Paris, [74] where an explanation involving an accident was concocted to explain the need to spend the night at a comfortable inn. However, he was held under virtual house arrest by the police for several more months, although able to be visited by friends and even by Verdi while he was in Paris. While taking care of some of his obligations to the Viennese court, for the remainder of the month he awaited news on the outcome of the 12 January premiere of Caterina Cornaro in Naples.

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The critical reaction in the Giornali some months later focused on the weaknesses of the semiseria genre itself, although it did describe Donizetti's music for Emilia as pretty. He left Vienna on 1 July after the Spring Italian season, travelling to Milan, Bergamo in order to see the now-aging Mayr, but where the deterioration of his own health became more apparent [50] , and then on to Naples in August, a city he had not visited since Finally—on 16 August—in Constantinople, Giuseppe filed a formal complaint with the Austrian ambassador given that the composer was an Austrian citizen. The culmination of the crisis in Donizetti's health came in August when he was diagnosed with cerebro-spinal syphilis and severe mental illness. Further details of specific dates from Weinstock, pp. This became another success.

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From about , he became interested in working in Paris, where he saw much greater freedom to choose subject matter, [8] in addition to receiving larger fees and greater prestige. In February , reluctant to consider going further towards institutionalization, he relied on the further advice of two of the doctors who had examined his uncle in late January. The following two years were somewhat precarious for the young Donizetti:

Donizetti returned from Paris to oversee the staging of Lucia di Lammermoor on 26 September William Ashbrook describes the second half of as a period of pathetic restlessness. In , Donizetti scored his most acclaimed and his first international success with Anna Bolena given at the Teatro Carcano in Milan on 26 December with Giuditta Pasta in the title role.

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But in a letter to Vasselli, he adamantly refused. The second new work, which appeared six weeks later on 29 June, was a one-act farsa— La lettera anonima. The critical reaction in the Giornali some months later focused on the weaknesses of the semiseria genre itself, although it did describe Donizetti's music for Emilia as pretty. While preparations were underway, other ideas came to Donizetti and, discovering Cammarano's libretto for Giuseppe Lillo 's unsuccessful Il Conte di Chalais , he turned it into the first two acts of Maria di Rohan within twenty-four hours. Two new operas were also given in Paris at that time.

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As it turned out, he was able to revive a half-completed work which had been started for Vienna, but only after receiving a rejection to his request to be released from his Naples' obligations did he work on finishing Caterina Cornaro by May for a production in Naples in January , but without the composer being present. Musicologist and Donizetti scholar William Ashbrook provides a quotation from a review in the Nuovo osservatore veneziano of 17 November in which the reviewer notes some of these performance issues which faced the composer, but he adds: He had intended to leave by about 22nd, but Gaetano's bout of illness delayed his departure, and the brothers traveled together to Bergamo on about 12 or 13 July proceeding slowly but arriving around 21st. Therefore, Andrea agreed to allow his uncle to be taken to a facility which has been described as resemb[ling] that of a health spa

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Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, [3] he wrote his first one-act opera, the comedy Il Pigmalione , which may not have ever been performed during his lifetime. Gilardoni shared with the composer a very good sense of what would work on stage. Therefore, Andrea agreed to allow his uncle to be taken to a facility which has been described as resemb[ling] that of a health spa In February , reluctant to consider going further towards institutionalization, he relied on the further advice of two of the doctors who had examined his uncle in late January.

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