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Archived from the original PDF on Folded 1 , 2. This early form of empontilling left a rough, ragged ring of glass. The Minnesota Archaeologist , 35 1. Bristol - Bristol glaze 1 , 2 was prepared from commercially available ceramic chemicals that included feldspars and zinc oxide.

The the lower left corner you can see evidence of the diagonal mold seam which at one time bisected the base. The dynamics precipitating changes in stopper design were the need for strength, pourability, tightness of the seal, and economy of production. The Chinese porcelain was always hand painted. We have calculated a mean ceramic date of for the whiteware and for the ironstones. The level of heterogeneity reflects the social and economic differentiation of the time period.

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In the s, the bottle mimicked early forms which were hand tooled and sealed with a cork. Referred to as Galenaware, it was produced from the 's through The variations in surface treatments recognized in this study include the following types:

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Connelly also coached football, track, and boxing. Close up of iron pontil. We have calculated a mean ceramic date of for the whiteware and for the ironstones.

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We have calculated a mean ceramic date of for the whiteware and for the ironstones. The machine left a circular mark on the base of the vessel referred to as an Owens scar 1 , 2. The images found in the Tribune archives supplement a collection of previously published Eastland images, including the one the paper published on Page 3 the day after the accident. Work by Miller , Esary Owens' early bottles were often cruder than their hand blown hand tooled counterparts.

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The distinctive surface treatment involved several elements. This is the base of the bottle whose lip is shown above left. After the diamond mark was replaced by the use of the registered design number printed as a line of script. A wide variety of patterns and designs were employed. The simple shaped finish required reheating the orifice and then creating either a fold or a flange for the lip. This was the manner in which the early Owens bottles were blown.

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Very little pearlware was plain, the vast majority was either molded in the many edge forms first seen on creamware or it was painted or printed. They were embossed with a wide variety of designs, the most common element of which was the eagle. The distinctive stylistic expression of ironstone would be the emphasis on plain, unmolded 1 and plain, molded bodies and rims 1. Sports teams based in Ohio. A regional manufacturer of yellowware was located in Peoria, Illinois.

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Staffordshire Romantic Transfer Patterns. The paste was touted as being harder and whiter than whiteware. More than people died, many of them trapped inside the vessel as water poured in when the ship tipped over only a few feet from the riverbank.

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Tin-enameled glaze wares are known by different names generally depending on their country of origin. Attribute Production Range Median A. An examination of the throat of the vessel will, typically, reveal a seam where the two pieces of glass were joined or annealed. All bottles were free hand blown until the 's when one step body molding first made its appearance. Patent and Trademark Office

Most of this material is in the form of teapots with a body molded of soft yellow paste. Miller suggests that the polychromes were most popular, if uncommon, from to , while Esary They are commonly recovered from nineteenth century sites 1. Inside the Owens ring are several numbers. The ware was commonly available throughout the region by Ramsay

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  1. Many of the glass marbles so frequently recovered archaeologically from domestic sites were likely so secured. Another interesting form of table ware was Depression Glass. A brown band of luster commonly surrounded the rim. In the neck on the right notice how just below the collar the mold seam goes complete around the neck. Consequently, no mold marks appear.
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  2. Close up of iron pontil Close up of an open pontil milk base for comparison. Glass From Fort Michlimackinac: Valentine's Day Massacre and the city's race riots, before later turning to writing poetry. Staffordshire Romantic Transfer Patterns.
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Unlike most screw caps, the three point screw top had three lugs jutting out from the lip which were to engage a metal cap. By the end of its production, the fabric had been significantly whitened and had glazes ranging from deeply blue to almost colorless Sussman Familiar applications were to the interior only see Salt Glaze , the exterior only or just part of the exterior, see Bristol , or to both surfaces. This form was most popular from to The dynamics precipitating changes in stopper design were the need for strength, pourability, tightness of the seal, and economy of production.

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The clay was mixed as a watery slurry into which the vessel was dipped. Patent and Trademark Office Many of those photos are not part of the Eastland Memorial Society's collection. After Esary Fabric colors include gray, buff, and yellow-reds.

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Unlike most screw caps, the three point screw top had three lugs jutting out from the lip which were to engage a metal cap. Their periods of popularity, range of production, and mean dates are given on Table 1. Rockingham or Bennington 1 , 2 is a distinctive ceramic with a thick brown, mottled glaze and molded body.

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Red and Green 1. It was a gloomy morning and clouding over rapidly. In Wedgwood initiated the art of transfer printing in Staffordshire. The internal pressure created by the beer or soda that these closures were employed with, would keep the rubber gasket sealed against a lip or grove in the interior of the throat.

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